Tuesday 14 November 2017

Thirteen Ways To Kill A Poet


This is not about "Thirteen Ways To Kill A Poet" but it's another thing that leapt out at me while ready "David Bowie: A Life" by Dylan Jones. It was an idea for a film that Martin Scorses had, to get thirteen directors to direct sections of a film with that title. He had in mind Terry Gilliam (my favourite director), Wim Wenders and David Bowie (due to stuff like "Ashes To Ashes" and other Bowie videos) but Scorsese due to timings and availability was unable to make it happen, so it remained a dream project.

I also discovered that Duncan Jones (aka Zowie Bowie and director responsible for two of my favourite science fiction films of the last ten years "Moon" and "Source Code") worked on building the puppets for Labyrinth. David had tried to get him to learn a musical instrument saxophone or guitar, but Duncan was always more interested in film.

One of the reasons to read, you can always discover fascinating facts about people who interest you.

Yesterday on my walk to work I put on Genesis' "Selling England By The Pound". I suppose that has been the Tory policy for the UK since I've been aware of politics. Genesis at the time were the acceptable face of progressive rock, but parts of this have not dated that well although overall it is still at excellent album. "The Battle of Epping Forest" was the epic centrepiece to the album but suffers from some sub "Carry On" character humour. Peter Gabriel using the song for several characters , some right down embarrassing now, though OK at the time.

The album is bookended between the gentle but strangely eerie "Dancing With The Moonlit Knight" and the list of supermarket names for "Aisle of Plenty" a beautiful coda but the lyrics while sort of clever do grate a bit.

It feature's Phil Collins debut Genesis vocal on "More Fool Me" which closes side one, and his similarity to Peter Gabriel is similar to the Roger Daltrey / Pete Townshend situation in the Who, the vocalists start to sound like each other.

"The Battle of Epping Forest" is followed by what I originally regarted as a throwawy instrumental "After The Ordeal" but that turns out to be an impressive pice, next up is "The Cinema Show" eleven minutes which doesn't start well with some very twee lyrical play but it builds into another brilliant instrumental tour de force.

After the quiet intro "Dancing With The Moonlit Knight" it develops with a particularly vicious riff before drifting into the single "I Know What I Like" in which Gabriel hit's us with a West Country accent, but this is controlled and results in an excellent song. "Firth of Fifth" is essentially a nine minute piano driven piece which is one of the high points of the album.

So I'll leave you with a live take of the opening song, enjoy your Tuesday.


Sunday 12 November 2017

Because I Have A Pixel....


.. that's a Google Pixel phone, I have now got to rationalise what I download and put on the phone. No 50Gb of music like I could have on my Sony or Samsung because they have an SD card, no lot's of photos and videos, I need to utilise the space mor judiciously. I could pug a stick in but that would be sooo asking for trouble.

Every app uses up space, every picture , every instagram video, and all the music.

But say I limit the music to 10Gb, that's like fifteen to twenty albums, so isn't that enough, really?

I can only listen to one album at a time and twenty albums should see me through a week. I remember a friend telling how they had looked after a vicars house for four days , there was him , two girls, one record player and four albums including the first Velvet Underground album. If four albums was enough for three people for four days, then fifteen albums should be ok for me for five days.

So today's album was not the Velevt Underground , but David Bowie's "Low" , the first of the Berlin trilogy. When it came out I remember thinking that the melody of the opening song "Speed of Life" was very similar to Deep Purple's "Woman From Tokyo" and I still think that today. For some reason I thought that side one only had five tracks ( along with side two's four , the psychedelic Krautrock influence coming to the fore there), and tehre actually five songs bookended by two instrumentals. Whether it's me or my age , Bowie's music is timeless and sounds as fresh now as when it first came out.

Some of side two was appropriated for Philip Glass for his "Low Symphony", very atmospheric feating vocals in a non existent languaguage though "Weeping Wall" borrows the melody from "Scarborough Fair". Incidentally Philip Glass scored the film "Candyman" based on a Clive Barker short story and the music enhances an excellent nighties horror film.

I'll leave you with a live take on the opener from "Low" in 1978 , enjoy your Sunday night.


Saturday 11 November 2017

Regression


Was just wondering if my purchasing of vinyl was a sort of childhood regression. While I have never actually grown up, I do like to have actual things. Digital recordings are convenient to listen to music and watch video on the move, but it' gives a wonderful pleasure to have a wonderfull packaged item.

Albums like Hawkwind's "XIn Seach of Space" (See video here on my Instagram Channel where there are more examples. These include picture discs and I am still stunned by the holograms on the Star Wars - The Force Awakens soundtrack album (see here) which I now have on order.

Public Image Ltd's "Metal Box" shows that you can do similar things with CDs but often the size of things are scaled down, but that is still a beautifully packaged CD.

So basically I am still 15 at heart and I like a lot of the things I liked when I was 15. While a lot of music is coming out on vinyl I seldom see inventive and impressive packaging like the stuff that Barney Bubbles would come up with for Hawkwind or Hypgnosis' packaging for Pink Floyd's "Dark Side of The Moon" and "Wish You Were Here"

So what should I leave you with? I think Black Sabbath's "Paranoid" on vinyl featuring the Vertigo Swirl , still my favourite label , and you can see that on a CD, and at 500 rpm even if you could you would miss the hypnotic effect.

Have a great Saturday night everybody.

Thursday 9 November 2017

Extremes


Yesterday while I was out and about I noticed how many places you can charge your device now, although I wouldn't be too happy about leaving an iPhone X at a charging station in Eldon Square, although they probably don't have Apple's latest non standard connector so that situation is probably a non starter. The iPhone X is probably the first extreme on this post costing above a thousand pounds. Most buses and trains also have a pluf for charging as well, although I find amausing how many places still have Wifi without internet access or demand you agree to terms and conditions every time you sign in . They already know who you are so whay do you have to keep agreeing? It's like Apple's Terms and Conditioons.

Today I  connected up my OVO Smart Meter to mi Wifi so I can now see how much I'm using at any time. It does save me submitting readings but I am a bit wary of how the data will be used by them, also it's a daily remeinder of how much things are costing.

Anyway yesterday I was listening to "Enjoy The Melodic Sunshine" by the Cosmic Rough Riders which is still a brilliant listen which opens with four absolute standout songs. One of them however is a pure evil control scenario which has an awesome tune but worrying lyrics about control, which follows on from The Police's "Every Breath You Take" and Peter Hammil's "I Will Find You" and you may be able to surmise the scenario from the title "The Gun Isn't Loaded". The protagonist controls the victim because they do not have the full picture, and how many times to we see that in everyday life. The  lyrics make feel uncorfortable but I have to listen because the music is so wonderful.

It's not a bad lyrics scenario like Rush or Abba sometimes hit , Abba having the excuse of being Swedish , and Rush are Canadian , but bothe produce some amazing music sometimes let down by lyrical ineptitude but that's something for another post.

One of the other standouts on "Enjoy The Melodic Sunshine" is "Glastonbury Revisited" probably my favourite song about Glastonbury, and it is lyrically to polar opposite of "The Gun Isn't Loaded", full of hope , love and inclusivity. I've had the CD for close on twenty years and still still sounds as good today as when I first heard it.

I'll include the two songs from the album which are extremes in the lyrical sense, and I will soon be taking myself off to see Jerry Sadowitz for the first time ever, which I suppose is another extreme.

Enjoy your Thursday night.

Tuesday 7 November 2017

Lyrical Logic


Yesterday I really didn't want to get up. I feel the same today, I would love to lie in but at 6:30 AM I am showered, dressed, taken drugs and writing this, so normality is resumed, sort of. Last week I didn't do much listening to music but on my walk to work yesterday I was listening to Pink Floyd's "Meddle" and was struck by how sometimes the sound of lyrics is more important than logical analysis of them.

A prime example of this is Thin Lizzy's "Jailbreak". The opening couplet is:

"Tonight there's going a jailbreak
Somewhere in this town"

Well the clue is right in front of your eyes, it's highly likely to be at the prison / jail. Still a brilliant song though.

One track on "Meddle" , "Fearless" has a similar construct:

"You say the hill's to steep to climb
 Try Me .......
You choose the place and I'll choose the time"

But again a wonderful song managing to incorporate the Liverpool Kop singing "You'll Never Walk Alone" so I am fine with the odd bit of lyrical non logic.

"Meddle" is probably the album that made Pink Floyd my favourite band as a teenager, and contans my favourite Pink Floyd song "Echoes" which took up the whole of ide two and is twenty two minutes long and was used for an amazing surfing sequence in the film "Crystal Voyager", a perfect combination of music and visuals and when the coda comes you really just want it to start again, for me it's that addictive still.

The album opens with "One of Thes Days (I'm Going To Cut You Into Little Pieces)", which comes in quietly on a breeze before going into a five minute two chord instrumental assault. "A Pillow of Winds" gives respite before the gorgeous "Fearless" described above.

"San Tropez" and "Seamus" wind the side down before the wonderful "Echoes on side two. You can tell I still love this album.

Anyway it's time for another walk into work. Have a brilliant Tuesday everybody and I will leave you with the "Crystal Voyager" "Echoes" seqience and "Fearless". If you have time watch both.


Sunday 5 November 2017

Awake


It's 30 minutes past midnight and I'm sort of wide awake, Part of me wants to sleep and part of me wants to do things. It's not really practical leaving the house or getting the guitar set up, and I don't really want to watch TV (having caught up a bit on American Horror Story and The Walking Dead) so I thought well maybe I will just put something don in the blog.

The wek in Orton I had plans to record stuff and possibly write stuff but ended up doing what I was supposed to do , relax, rest , see my dad, catch up on some TV (the excellent "Deadwood" , well series one) and do a bit of walking and enjoy the countryside around Orton. The cottage is quiet and relaxing and still doesn't habe Wifi although most local pub such as The George , The King's Head and The Black Swan do , but I still managed to trash my data, but that's part of what you do when you are away.

Anyway I am back now and have written a few words, and hopefully it will have moved my mind a bit closer to being able to sleep. I hope to be going to the Tyneside Cinema later today to see  "The Death of Stalin" which should be great fun.

I leave you with a cracking version of "In The Midnight Hour" by Wilson Pickett with Bruce Springsteen, but I'm not sure you can buy this version, but thanks to Youtube you can listen to it.

Sleep well my friends , and I hope my my mind will rest for a few hours now.


Wednesday 1 November 2017

Sixteen Miles an Hour


Yesterday we took a trip to Ambleside from Orton. Checking on Google Maps the distance is sixteen miles, but the actual distance is further but due to hills and lakes in between the route is a little more circuitous than the direct sixteen miles and takes closer to an hour to navigate.

It’s not a difficult journey but the sixteen miles does stick in your mind as you drive down the M6 waiting for the turn off to hit the south end of Lake Windermere. While in Ambleside we tried the vegetarian Italian Restaurant, Zeffirelli’s and Fellini’s also home to a cinema.

We spoke with a couple and the man said he’d been eating there for twenty years and it had taken him five years to realise that the restaurant was vegetarian.

Today is the first of November and another start for my step challenge. Quite surprisingly I’ve managed to hit 11K today so that’s a good start although I should have hit 11.5K but a 500 step deficit is hardly insurmountable.

Anyway the data on my Google Pixel seems to me draining and a rapid rate. I’m not too sure why although the tethering has used 2 Gb so it’s probably Windows that decided to do an update, so I may have to buy a data add on, but at least EE have created a few more sensible add ons so it won’t cost a huge amount if I need to buy some extra.

Anyway it’s time for bed, so I will leave you with “Let’s Eat” by Nick Lowe. Sleep well.