Showing posts with label Slapp Happy. Show all posts
Showing posts with label Slapp Happy. Show all posts

Monday 20 April 2020

Killing Time


I play "Words With Friends" since EA Games destroyed Scrabble on Facebook. The main killer for these is the adverts but it does sometime come in handy when you are not reading or working or waiting for a process to finish, but a game came up and was described as a "time killer". I can't remember what the game was , but there were a load of numbers on the screen.

It seems that one game is promoting other games to take up your time. I know people who are addicted to certain games and can understand how that happens. They draw you in and then start asking for money to get you a bit further on. I suppose it's an exercise in market creation but I'll play when I can for free.

I really don't want to kill time but I do enjo games that exercise your mind.

I never wish it was Friday.

Every day I find something to be positive about, something to aim for , something to make you feel good.

Today I have done my lowest daily step total this month, but due an active couple of days I am still ahead of the pace.

I've not written a blog post since Friday and I suppose part of that is essentially being tied to the house, although we still can talk to others via many communication channels , although today I feel I have been extremely quiet.

Working at home today I listened to "Concerts" by Henry Cow and "Casablanca Moon / Desperate Straights" by Slapp Happy both are excellent and saw me through the day , with the Henry Cow being a little more challenging. The Slapp Happy album is more song based (how pretentious does that sound) although very Brechtian in it's delivery and execution.

So obviously it's got to be something from the Slapp Happy album that I will share with you,  I found a live take of  "The Drum" which is fragilely beautifully wonderful. The album is well worth investigating.

Tuesday 12 September 2017

The Housemartins - The Greatest Marxist Band Ever To Pick Up Guitars


I read that statement twice when I read it in Jordan Ellenberg's "How Not to Be Wrong: The Hidden Maths of Everyday Life", I know the Housemartins were committed left wing and Paul Heaton definitely still is but does that make them Marxist.

Maybe Robert Wyatt could be Marxist, especially listening to his stuff post Soft Machine. His band after that was Matching Mole which is extrapolated from the French for "Soft Machine" , "Machine Molle" apparently. My french is only 'O' Level but Google translates as "Machine Souple" though the reverse translation comes out as correct.

There were a lot of bands that may have been Marxist  that are in my collection , a possible list here:

And to some extent Billy Bragg, Woody Guthrie and the list could go on for a long time.

All these bands are well worth a listen whatever your politics, they are probably all on Youtube so go and have a look and listen. This is one of the great things about this digital age, you don't read this and then think I will have to go and research that tomorrow. I remember in the seventies when you read about a band you often had to look in the music mags like Sounds and NME scour the adverts and then order an album on import, hoping it would be as good as the title and blurmb made it sound.

Anyway I've included "Sitting On A Fence" the song that Jordan Ellenberg used to illustrate his point, and if you want to know what the point was you will have to read Ellenberg's book.

Have a good Tuesday.

Saturday 15 October 2016

A Slapp Happy and Henry Cow Challenge - #ALifeInNumbers #21


Love The Cover
There were a few options for number 22 notably "22" by Taylor Swift and "22" by the brilliant Lily Allen as well as 22 Dreams by Paul Weller , but I have stuck with "22 Proverbs" by John Greaves and Peter Blegvad , members of Slapp Happy and Henry Cow respectively , who produced so excellent challenging music in the seventies. I remember laughing at the cover of "Legend" and buying "Concerts" for the amazing line drawn cover.










I had read that Henry Cow had produced some of the most complex music committed to record but it certainly wasn't what I was expecting, although they were on Virgin Records this was not Mike Oldfield territory, you can see Henry Cow's influence in the music of The Fall. Slapp Happy were more influenced by 30's Berlin and the two bands collaborated on "Desperate Straights" and "In Praise of Learning". It was not a surprise that Greaves and Blegvad collaborated on "Kew Rhone" and drafted in Dagmar Krause on vocals for "22 Proverbs" and we have a live rendition here.

I don't think you will be up dancing for this and it may be a way of getting rid of unwanted guests, but I love this sort of stuff. It demands your attention, and let's face it, anyone who thinks music comes from iTunes or Spotify will last about five seconds.

Have a great Saturday my friends.