Showing posts with label Faust. Show all posts
Showing posts with label Faust. Show all posts

Thursday 21 June 2018

Dancing With Lemmings #TenAlbumsInTenDays #3 - #2


I think my first exposure to Amon Duul II was hearing "Race From Here To Your Ears" on a UA compilation, "All Good Clean Fun". There was a lot of good stuff on there such as Man's "Daughter of The Fireplace" but this album made me want to hear the albums that the individual songs had come from and hearing "Race From Here To Your Ears" (Part of "Restless Skylight Transistor Child" that made up side two of th eoriginal albumthen seeing the cover of "Dance of the Lemmings" (or "Tanz Der Lemminge" which I think is the correct German original title)

 The album also drew me into what was loosely termed Krautrock but also made me realisethat music could sound much different to our normal western blues and rock and roll concept of rock. From this I went on to Tangerine Dream, Can, Kraftwerk and Faust as well as other less well known bands and all these now how a place in my music collection.

These days people equate German Music with Kraftwerk, and while not wanting to diminish their importance there is far more to German rock and progressive music than them, but they deserve their success and recognition.

So with that I will look out on the very light night sky of the longest day.

Sleep well, tomorrow is Friday.



Monday 9 February 2015

Brief Encounter at The Tyneside Bar and Cafe where Dali Meets Disney


Today after doing a couple of hours at the excellent Oxfam Books and Music in Jesmond , I got mack into Newcastle and decided to go for a cup of coffee and a cake at the Tyneside Bar and Cafe. I was chatting with the girl behind the bar (who's name I didn't get) and she recommended the carrot and cinnamon cake to go with my coffee and I noticed the film playing. The Tyneside Bar and Cafe has a program of silent film screening every afternoon and a couple of weeks ago I caught some of The Battleship Potemkin. It's really brilliant idea to have these films as a backdrop to be engrossed in as you have your coffee or cake.

Anyway I asked what the film was that was showing and she told me it was a thirties rendition of Faust, she didn't know much of the story of Faust but was determined to find out more having watch most of the film and , like me she was impressed with it. It's a two hour film and you can watch it above. This led to a chat about German Surreal Horror and Salvador Dali's involvement with film and I was racking my brains about a film that I'd seen recently but also seen as a child with some lasting images of strange angular paths and a bearded eyeless monk through a window (yes I remembered that from my childhood). Anyway a girl a the bar called Amy who also works at the Tyneside Cinema and threw in some ideas including Un Chien Andalou and L'Age D'Or but more intriguingly mentioned a Salvador Dali and Walt Disney collaboration. This is a short film called Destino started in 1946 and completed in 2003. You can watch it below and to me it is jaw dropping, I have to thank Amy for telling me about this absolute gem:


However I still couldn't  remember the film I'd seen,
That Path
so decided to search while I had my coffee and cake. After about ten minutes I remembered it had featured in a documentary on European Horror films by Mark Gatiss and then googled European Surreal Horror and there it was "The Cabinet of Doctor Caligari" , which I had discussed at some point with my friend Craig another Tyneside Cinema guy. So I had a really good day , discovering things I didn't even know about thanks to Amy and finally remember THAT film , which I'll use to finish off this post.

Have a great night everybody, because I have had a great day

Wednesday 3 December 2014

Still Feeling Great

The Sugared Butterfly
Today I had the best Hot Chocolate I've ever had at Sugared Butterfly in Helmsley. It used to be The Old Police Station, but is absolutely lovely and, as I say, brilliant Hot Chocolate, and I just had the basic one. Chances are I'm going back tomorrow , the people were really pleasant, and it is the sort of place you can feel totally relaxed in and get a choice of both traditional and unusual food. This place is just one of many in Helmsley which is just such a pleasant village. My only criticism of the place is that they have space for an Edinburgh Woolen Mill shop , but still no Chemist! I've been holidaying in the area for about five years and still can't believe that situation still exists.



The holiday is continuing on in a relaxing fashion, not going very far, watching Breaking Bad and Boardwalk Empire, both extremely worthy series. It's amazing these days how much advertising you can dodge with catch up TV options. I'm surprised they let you fast forward through the adverts, although if you use 4OD you don't get that option. This is why I don't mind paying my TV License, I'm amazed at the number of people who complain about the £130 a year TV License while forking out £100 a month for a Sky Movies and Sport package without batting an eyelid.

Anyway another problem I had today was my phone not connecting to the Holiday Cottage Wifi. I tried lots of solutions on the web and finally solved it by switching the router off and on, nice simple solution, though I wish I'd done it this morning.

Today we've had blue skies, although it's been very cold, but still an excellent day, just good to be well away from the rat race.Thought I would leave you with a bit of Faust , sort of relevant to the holiday, not your average Krautrock , but then I don't think ant Krautrock is average, and if you don't enjoy this then listen to it until you do. It is very good.

So again I've managed to link up a relaxing holiday with some extreme music, but that's just the nature of things, everything is connected if you look for the threads

Thursday 18 April 2013

Facebook Wants To Own The Internet



A short post this which may eventually cause be to close my Facebook account. The very fact that I'm writing this is giving more publicity to Facebook, and it's two instances of something that may eventually damage other products.

The first was Deezer. Luckily I had signed up before the current requirement that you had to sign up with your Facebook account. I dont like be told I HAVE to use Facebook.

This morning I used Babelfish because my German is a little rusty , being mostly gleaned from Amon Duul and Faust titles and lyrics, but it wouldn't translate unless I signed into to Facebook.

Again it's something I see happening more and more , you can't have access to this unless you sign up for that. It's pathetic really.  The thing is eventiually you give in , then you start getting junk email, texts and phone calls all because you couldn't speak a forign language.

I dont mind using Facebook but along with Google and lots of other things they just want complete contril you. No thanks , I'm not going to take it anymore


Monday 19 February 2007

Seven Days In Krautrockland


At the end of the sixties many bands had dabbled with non standard music, such as the Grateful Dead and Pink Floyd who were not averse to producing extended soundscapes based on the actual sounds rather than standard song progressions. 

Tracks like “Echoes” and “A Saucerful of Secrets” by the Floyd and “Dark Star” by the Dead were prime examples of this. For one reason or another, this seemed to sow the seeds of musical revolution, in, of all places Germany, resulting a plethora of superb, totally original music which took elements from certain western bands a stretched them way beyond anything that had been heard before, bar maybe Jimi Hendrix. The generic term for this became, and now I’m going to use it, was “Krautrock”. The term became one of endearment and respect as some of the effects of the music produced is still with us today. 

That is also the title of an excellent Julian Cope reference book on the subject, which is worth tracking down if you would like to know more. 

Anyway what I’m going to do is list, in no particular order some of the most influential and interesting bands in the genre , and albums worth listening to…..as well as an essential single album for each band listed


 Formed in 1968 in Munich from the Amon Düül commune, released their first album “Phallus Dei” in 1969 on Liberty records. Essentially guitar based using unusual, but accessible chord changes , featuring both standard rock formats such as “Archangels Thunderbird” from “Yeti”, and extended improvisational sound collages such as “Syntelmans March of The Roaring Seventies” from “Dance of The Lemmings”. However their next two albums (“Carnival In Babylon” and “Wolf City”) featured shorter pieces possibly in search of a wider audiences. Such innovation could not last an “Vive La Trance” saw the band drift into standard westernised bland rock. I believe they are still around today, but all the albums mentioned above are essential listening bar “the first and last ones. 

 Essential Single Album: “Dance of the Lemmings” 

Tangerine Dream: 

Formed in Berlin 1967 by art student Edgar Froese who got the name from the lyrics of “Lucy in the Sky with Diamonds”. Froese was invited to play some classical improvisations by Salvador Dali at his Spanish Villa, Froese went through numerous musicians before teaming up with Klause Schulze, who worked on the bands debut “Electronic Meditation” released in 1969 on the Ohr label, home of many excellent German bands.. This was followed up by “Atem” , “Zeit” and “Alpha Centauri” the music being gothic, challenging and rhythmic. Through much airplay on John Peel’s show the band signed to Virgin and released their commercial breakthrough “Phaedra” featuring three pieces of music , produced entirely by electronic instruments (remember this was the seventies). Their music became more and more hypnotic and rhythmic, these avenues explored on “Rubycon”. However as with Amon Düül II, Tangerine Dream’s music drifted off into MOR vacuity. All albums listed are worth listening to. 

 Essential Single Album: “Phaedra” 

Can: 

Probably the most influential of all the German bands from this era, namechecked by anybody who is anybody on the dance and ambient scene. Formed in 1968 in Cologne , originally as “Inner Space” by Holger Czukay and Irmin Scmidt, who soon recruited bassist Jaki Leibezeit and guitarist Michael Karoli, all of whom , I believe are still active, individually and collectively today. Can are extremely rhythmic based music, influenced originally by the likes of the Velvet Underground, Terry Riley. Karlheinz Stockhausen and John Cage. Their first album “Monster Movie” featured black American singer Malcolm Mooney on vocals, featuring total improvisation such as the 20 minute “You Doo Right”. After this album Mooney suffered a breakdown and was replaced by Damo Suzuki for their next album “Soundtracks”. These line produced three superb albums “Tago Mago”, “Ege Bamyasi” and “Future Days”, before Suzuki went back to Japan to become a Jehovahs witness. Karoli and Schmidt took over vocal duties and released “Soon Over Babbaluma” in 1974. In 1976 they even scored a top 30 British single with “I Want More”, and continued to release albums up til 1989’s “Rite Time” which lacked their earlier inspiration. In 1997 a double CD compilation of dance remixes called “Sacrilege” was issued on the bands Spoon label. 

 Essential Single Album: “Anthology” (compilation) 

Kraftwerk: 

Formed in Dusseldorf 1969 by Ralf Hutter and Florian Scneider as Organisation, their music has come to reflect their industrial background although on their first album “Ralf and Florian” they used traditional musical instruments (as exemplified by the flute led “Ruczuck”). Their commercial an influential breakthrough when they ditched traditional instruments, for the all electronic “Autobahn” the 22 minute title track being edited down to three minutes to spawn a hit single.

Kraftwerk have been a huge influence on dance music and the electronic scene produce several almost mechanical an soulless yet fascinating albums such as “Radioactivity”, “Trans Europe Express” and “Computer World”. There is also an excellent remix album called “The Mix”

 Essential Single Album: “Autobahn” 

 Faust: 

Formed in Hamburg 1970 by producer Uwe Nettlebeck, probably the most avant garde and least accessible of the bands 

’ve mentioned. Their eponymous first album featured samples of Rolling Stones and Beatles songs on a clear vinyl album in a clear plastic sleeve featuring an X-Ray of a human hand. Their third album “The Faust Tapes” was a collage of sound cuttings featuring some beautiful music, and is highly recommended. 

Essential Single Album: “The Faust Tapes” 

 While I’ve only scratched the surface of this excellent musical genre and not delved into the likes of “Popol Vuh”, “Ash Ra Tempel” and probably a million others, hopefully this piece has whetted your appetite to at least investigate some of the most startling and innovative music ever made