Showing posts with label Cassette. Show all posts
Showing posts with label Cassette. Show all posts

Tuesday 12 November 2019

Take The Skinheads Bowling


Yesterday, for the first time in a long time, I walked to and from work. Both walks were in the dark as it's autumn and the days are still getting shorter as we are still on the way to the Winter Solstice and the shortest day. I did about 18.5K steps which at 2.5K steps per mile is about 7.5 miles. I don't think I will do that today as I need to be at work a bit longer today but I will definitely be walking in , and my step cout is ahead of schedule for the month.

I got to listen to the excellent "Dirty Computer" by Janelle Monáe, my favourite album of the last two years, repeating a couple of songs as I played it then finishing off with Marcel King's "Reach For Love" , one of my favourite singles and Shaun Ryder's favourite Factory single. That's the great thing about walking, these days (and really since the dawn of the compact cassette) we have the ability to listen to music on the move. Although cassettes are having a revival, the problem has always been their fragility, but they did combine that with convenience. A friend of mine had a cassette player that allowed you to program the playing order, but the fact that it had to fast forward and rewind between songs sort of negated the convenience, but an impressive piece of technology none the less.

The blog is now eight posts away from the annual record (last year I hit 316) so that will be easily surpassed this year and that will probably be it for posting records.

One of the points of this blog is to share music with friends and I was thinking of something by Janelle Monáe or Marcel King, but Chris Hawkins on 6Music has just put on "Take The Skinheads Bowling" by Camper Van Beethoven who once retired to a cabin and recorded Fleetwood Mac's "Tusk" (my favourite Fleetwood Mac album and even got album of the week from NME despite being a double album by "dinosaur rockers" in the middle of the UK punk explosion, and the CVB one is good as well). So we will go with "Take The Skinheads Bowling".

Just as I was writing this , my tablet box somehow fell out of my pocket. It is round. I looked down it was nowhere to be seen. I guessed right and it had rolled under the chest of drawers. C'est la vie.

Monday 23 September 2019

Break


One of the benefits of listening to vinyl is that you listen to a whole side with no option for a remote break, and on a normal well planned album those sides seldom pass twenty minutes and definitely not twenty five minutes, so you are given a natural break. Todd Rundgren's "Initiation" clocked in about thirty five minutes a side which always needed to be played with a new diamond needle. That was not a good idea. Also somewhat strange that his classic "Todd" clocked in at just over sixty minutes and was a double album.

When Van Der Graaf Generator's "Godbluff" was released the NME reviewer said that we needed a continuous play medium (actually one side of a C90 cassette or an 8-Track tape would have provided that) but CD and MP3 satisfied that perfectly and some albums are best listened to in a non stop sequence.

But I bought four second hand albums at the weekend for a tenner from Vinyl Guru and on Sunday morning listened to side one of "Tomorrow Belongs To Me" by The Sensational Alex Harvey Band followed by side one of "This Is The Moody Blues" especially for the closing song "Legend of A Mind" one of my favourite songs of theirs.

Digital music has no limitations and vinyl has lots , but vinyl is more of a personal experience and you feel closer to and more in touch with the music. The may sound trite but the sounds produced from an analogue vinyl source are always a pure curve whereas digital is always a series of defined steps however small they may be.

So how do we soundtrack this, of course Youtube is a digital medium and this is a digital medium but we shall go for "Action Strasse" from the first album I played yesterday.

Goodnight and God Bless,

Friday 20 July 2018

Noise Is Good


Well sometimes. Sometimes you want quiet but someimesnoise lets you know that there is someone or something else there, be it a radio, tv, someone else in the house or whatever.

I was just in the shower and could hear something that sounded like the "Theme From The X-Files" and realisedit seemed to be coming through either the shower drain or the shower head. Totally weird but I wonder if that is where Mark Snow got the idea from. Who knows?

Quiet is also good at times, sometimes it's just good to lie on the bed with an eye mask in a dark room and complete quiet and empty your mind. A great form of relaxation, and after it I then want NOISE.

I love playing stuff on vinyl because there's no remote, so no skipping and you can actually sit and enjoy the music.

When I walk  I have a decent set of headphones so the phone / headphone combination allows me to listen to whatever I want (as long as it's on the phone). I don't use music streaming services because I think they're unworkable business model for artists (unless you're Ed Sheeran) but I still have a huge selection on there. Although in this creeping inherent tech induced laziness, transferring music to my phone is a bit of a chore. The thing is when we used to make mix tapes for friends we had to choose albums and tracks and do it in real time, so a ninety minute tape would take you well over two hours make, whereas these days people just want to share a spotifyplaylist.

I find the same with DVDs, I find getting up getting the DVD out, opeing the player drawer and then pressing play a chore. And I always forget about the theft warnings before the video starts. Like is many walks of the life it's the people who keep to the rules who are targetted, not the ones who break the rules. 

Monday 23 April 2018

#TenAlbumsInTenDays #6 - Godbluff - Van Der Graaf Generator


When this album came out the NME reviewer said that there should be a way of playing it end to end without a break, the vinyl record had to be flipped half way through to continue listening. This was an understandable thought as that's how most classical pieces were concieved , to be played and listened to in their entirety.

This thing is at the time there were C90 cassettes and 8-Track tapes (the later just effectively played in an everlasting circle) so there was a way to listen to it. CD and Digital obviously made this a reality for the new format.

When they started although a rock group, guitars were way down the instrumentation list which was odd for such an aggressive sound but it was dominated by keyboards, brass , woodwind and bass pedals.

Godbluff is a very dark sounding album, almost threatening conjuring up images of dark threats in blasted landscapes and is still a regular listen for me. It is remakably coherent and often I get the songs mixed up as they are so similar in form without being boring, you just accept it for what it is.

I love most of their stuff but this along with "Pawn Hearts" are two of my most played of their albums. I found a live performance of the album so if you have forty or so minutes to spare you can see what I mean about the album.

Monday 9 February 2015

Metallica Was Right? - A Personal History of Music Media From The 1950s To Today



My friend Royston posted a link to this blog post from KFMX  (Lubbock's Rock Station) about the legacy of illegal downloading. It sums it up in a nutshell. Although I'm in two minds about the grammar , sould it be Metallica Was Right or Metallica Were Right. Anyway this post isn't about grammatical correctness it's about the whole music stealing thing , and where we are at today and why we are here today musically/ It's probably best to do it roughly in temporal order so I'll do it by decades:

1950s:


A Complete Music Centre
Vinyl became established, first in 78 format with seven inch 45's becoming the single record content delivery device of preference. 12" 33rpm Albums named because sheet music was collected in albums was the modus operandii for Classical Music because of the length of the pieces , although spoken word albums came out that played at 16 rpm . If you look at a full featured vinyl record player that's what the 16 option is for. If you do want an classic record player take a look at RPM in Newcastle.

The thing is unless you had your own recording facilities in the 1950's the only way of stealing music was to actually shoplift or resort to burglary. Music theft was limited to plagiarism and blantant exploitation like Alan Freed's co composer credit on Chuck Berry's Motorvatin' because there had to be a white presence.


1960s:


Reel To Reel
Music took of in this decade, and you had a proliferation of transistor radios and portable vinyl disc players, and affordable reel to reel tape recorders were available. These allowed you to record either from the record player, radio or television. However this was not widespread so artists and record companies just saw it as another marketing opportunity, however the BBC threatened prosecution of anyone who recorded TV programs , although they then later asked for recorded copies when trying to replace lost shows . Albums became more popular especially with bands like the Beatles and Beach Boys shifting industrial quantities and incidentally albums were commercially available on tape reels. Really record companies were seeding the ground without looking to the future.

1970s:

 
Select a Tape
This is when supposedly the shit hit the fan for record companies. Music was becoming more portable. The introduction of the 8-Track tape and more importantly the compact cassette tape. These were introduced by record companies again to sell product, but when cheap portable recorders were put on the market you would have thought that someone would have realised that customers would not just record their own voice or birdsong.







Lots of companies produced tapes and recorders and customers started recording music from TV and radio and records and sharing it with their friends. This was countered by the "Home Taping Is Killing Music" campaign. What actually was happening was that record companies saw a threat and adopted a terrible attitude that their market was comprised of thieves. Home taping went through the roof with the introduction of the Sony Walkman , because this meant that you could take music that you had paid for with you by copying to a C90 tape. Record companies didn't like this either because they saw it as a potential loss of revenue.
John Martyn 1+1

Companies started marketing pre recorded cassette tapes which sold well , but in a completely odd ploy Island started the 1+1 series with the album recorded on one side and the second side blank for you to record whatever you want on.  The only image I could find was for the John Martyn album Grace and Danger, although these was a normal delivery method for Island completely encouraging people to tape music. I don't know if there is a caveat or disclaimer on the tape somewhere.


Killing Joke
The portability of recording apparatus meant that bootlegs now became more prevalent, so as well as official releases , you could , if, ironically, you were prepared to pay way over the odds for usually substandard recordings.

The record industry tried introducing a high frequency signal on the vinyl record to combat taping, and finally introduced a 5% PRS levy on all tapes.


Home taping didn't kill music, if anything it helped spread the word. Although you could only record in real time, so you knew what you were doing. Though for the first time you could put together tapes for parties , driving , bus journeys, running but you still knew that you should really buy the records. However often you would get a tape from a friend, listen to it and then go out buy the album. The record companies didn't acknowledge this.

1980s:


This was the decade that changed everything. The record industry introduced the new cure all, the perfect indestructible medium of CD. This was a cold planning campaign by the music industry, they introduced very cheap CD players, CD players were part of the all in one music centres replacing the cumbersome vinyl turntable. People bought music centres not realising that this made their vinyl records obsolete. So they needed to buy CDs to replace the vinyl , except CDs were expensive £12
Bright Silver Discs
compared with around a fiver for the vinyl equivalent. Mid price albums were a bargain at a tenner. Now you weren't offered a trade in for your vinyl so you were paying for the medium. Did this mean that the music had no actual value?

But anyway this was a McDonaldisation moment for music, suddenly you had remote controls , you could program the way a CD was played , you could skip and repeat tracks, it was convenience for the ears. And you could program a CD and record it to cassette to make your mixtape.

The new medium had no clicks or background vinyl noise, and the first song I played on my new CD player was The Who's "Won't Get Fooled Again", played loud. A mistake I never made again. Previously the song was introduced as the needle hit the groove, this time the opening power chord just hit with no warning at all. That was my first impression of CD.

But again the music industry just saw a huge cash cow, but they were selling discs containing music converted to digital signals and guess what happened then......

1990s:


CD replaced floppy discs as a medium for computers. They could also be written to. Home computers were taking off, the internet was connecting people and at this time the music industry decided it was time for another change. CDs would deteriorate and were not as indestructible as we thought. They needed replacing. Incidentally I've had CDs for thiry years that are still fine.

The music industry told us we now had to but DAT . It's tape! Tapes break , get tangled , and you cant easily change the order, and a blank tape cost as much as a CD. DAT did have it's place but just became a specialist niche and never threatened CD's dominance. However......

The CD data was copied into a digital file stored on computer , this was MP3. It was not created by the industry so there was no regulation. People could copy albums to there computer and duplicate them to CD, but more importantly could use the internet to share music using peer to peer networks such as Napster.

People were ripping , sharing and downloading music and not paying for it. The music industry had given everything to the public on a plate. Like with cassette they tried legal downloads but included DRM which limited what devices you could play YOUR music one. It didn't work. Elton John and Metallica were the biggest voices behind the movement that eventually shut down the peer to peer network Napster citing the amounts of money they had lost. The thing is most of the people who downloaded stuff were actually doing it because they could, they would never have bought the music if they couldn't download it so the figures were irrelevant , and these artists didn't give a fig about their fans when the issued old product on CD , then brought out a new version with an extra track, ten brought out a remastered version , expecting fans to cough up money each time.

However in the days of pay per minute internet connection a friend of mine spent £30 to download a Basement Jaxx album he could have bought over the counter for a tenner.

The nineties were the decade where certain people began to expect music to be free, not realising how this affects the people who produce it. This was a direct result of the music industries pushing of CD uptake in the 80s without any thoughts of impact analysis.

The New Millennium:


The turn or the century digital music became the norm. The internet has become very fast , and they perception that music is free has driven down the price of CDs. These days a new Cd will set you back around a tenner, a new vinyl album will cost you twice that. If the cost of albums had kept pace since say, 1975,  you would be paying £80 for a new album today. I've used Job Seekers Allowance as a guide for this , in 1975 I bought the new Pink Floyd album "Wish You Were Here", it cost me £3.25 , now JSA stands around £70.

People can listen to music of their choice free on Youtube , Spotify and any number of streaming services. The problem with these for the artist, is that royalties are paid on a pay per play basis. So if a track is streamed on Spotify an artist will get paid a very small fraction of a penny, if their record is played on the radio they'll be paid £50 (that is completely made up but it is a reasonable amount). I don't know what the answer is to this.

But this leaves us in a world where to make money bands have to charge a lot for gigs and merchandise and kids think that stuff (music and video) should be free.

However music is still vibrant and alive, record shops are still going strong especially with National Record Store Day . New music is still being produced and I still buy a CD a week of usually new music the latest being the Wooden Shjips album  "Back To Land".

The music industry is continually bleating about lost profits and stealing , but in digitizing everything they have created something that can be stolen over and over again, although as recent trends have shown , sensible pricing and convenience will actually result in sales and income, otherwise iTunes would have died a death long ago, and they still cause havoc and inconvenience with their licensing and terms and conditions.

So that's it , possibly my longest ever blog post. Hope it didn't send you to sleep.


Saturday 12 January 2013

The Music Collection

My Music Collection
This is really a follow on from the vinyl question I posed yesterday about the nature of music collections. Wreckless Eric and Amy Rigby are playing The Central Bar on 8th March and I thought I'd track down my copy of their album , which I purchased when I was a subscriber to Emusic.I looked at the screen and thought thats how loads of people see their music collections . You will download stuff and maybe never listen to it because it goes onto your portable device and only gets played if the shuffle algorithm includes it.

This set in with the advent of CD which allowed you to skip , program and shuffle discs. Then you got the multi disc sets and eventually you could burn your own with just the tracks you thought you liked.

With vinyl you tended to listen to at least oneside of an album as track skipping meant lifting the needle and moving on to the track you wanted . You could also stack singles and create your own vinyl playlist, but the vinyl always got played all the way through.

You get broadband and 4G operators telling ius we can download a track in seconds . That may be but music is meant to be listened to not downloaded! Many people will have huge digital collections that they have bnever listened to. Below is an Amazon playlist consisting of cheap compilation albums each containing at least 100 tracks each. You can download these in next to no time but 100 tracks is around six hours listening time , that's a quarter of a day.

It seems that music to a lot of people is just something they collect making you wonder why they bother downloading. You see the bluetooth speakers which effectively recreate the transistor radio scenario of the sixties.



The benefit of a vinyl or cassette based set up is that you will listen to the music rather than just store it on a hard disc or a phone. a friend of mine Mike O' Brien asked what will kids today say when you ask them what was your first record? They will probably just gawp.

My first records were Jig-A-Jig by East of Eden on the Deram, label (single) and The Best Of T.Rex on the Fly lable for my album. Enjoy the playlist , and enjoy some real music.

Friday 11 January 2013

Why Vinyl?



Was just off to bed and this question sprang to mind. Why Vinyl . Audiophiles talk about the warmth missing from digital representations and the personalisation that scratches and worn grooves bring but therein lies my argument. Vinyl is one of the most self destuctive of all media. Once the needle hits the groobve both vinyl an ddiamond / sapphire begin to destroy each other. Dust gathers on the record , heat warps the discs (remember dynaflex? The bane of my Bowie and Lou Reed collections).

Jimmy Page worked out that the optimum length for a vinyl long player was 18 minutes . Gram hold of an original pressing of Led Zeppelin I or II and check that there's no shiny spare vinyl in the label run off.

Vinnyl did enable some interesting tricks. Brian Eno's Great Pretender on Taking Tiger Mountain By Strategy ran into a closed groove that effectively never ended. You don't get that on the CD version. Monty Python had a three sided album because one side consisted of two separate spirals so you never knew what track you would get when you put it on.

Then on Todd Rundgren's Inititiation , the running time of that album clocked around 69 minutes with an instruction to only play with a brand new needle. I bought mine on cassette!

However we have seen a major vinyl revival , recently The Beatles and The Who's Studio Output have been boxed at £300 and £150 respectively , very impressive they are too . Nice to see the covers in their proper size , but it's still vinyl and very expensive. Black Sabbath have also had a box out

I am happy with CD and digital , for convenience sake , but I am also glad that vinyl is here to stay as well - though I wont be part of the buying public for vinyl , well maybe the odd seven incher .....

Wednesday 28 November 2012

50 Years Of Cassette



This Sunday 6Music have a celebration of 50 years of the cassette tape. Check it out here

Casette gave us both convenience and the ability to mess about with songs and sounds. I was a fan of Joe Meek and various experimental artists and spent hours recording to tape , splicing and and making a lot of not very impressive noises , but I enjoyed and learned a lot about the fragility and versatility of the medium.

It's small size meant for the first time you could take your own music with you . Previously the transistor radio was the only portable option.

Cassette was Vinyl's portable , personally recordable counterpart. It's main problem is that , like vinyl, it's a fragile decaying medium. Tape heads got dirty , tapes became unravelled , tangled , twisted . You don't get that with your MP3 player or iPod. However Sony's game changer , the Walkman was a godsend . It meant you could listen to music anywhere , and annoy people anywhere and some Walkmans had radios as well , best of both worlds.

It was briefly superceded by mini disc , another Sony innovation I think , which was eventually overtaken by hard disk players and finally solid state. If 4G becomes ubiquitous we may see the solid state players replaced by stream players , but for that you need a continuous reliable signal, and that is unlikely to happen because there are always places where you are unable to get a signal.

RPM in Newcastle has a stock of vintage music centres , along with cassettes and vinyl to play on them , which is excellent if you have the room and inclination for that.

It's unlikely that I will ever own another cassette player but cassettes certainly provided me with lots of fun , inspiration and convenience in their heyday and ironically the stadard tape length of 90 minutes was almost the same time capacity as a CD.