Showing posts with label Beach Boys. Show all posts
Showing posts with label Beach Boys. Show all posts

Friday 28 June 2019

1967


I'm in the sixties in age and in post numbers. This is post 1967 an in the year 1967 we were getting a lot of great music, albums and singles coming our way. More of that in a minute.

Last night I decided to check my blood but couldn't find my testing meter. I though maybe it had dropped off my desk. I saw my banking PINSentry , tablets , testing strips, testing needle but no meter.. Maybe cleaners had moved it. No sign. I do have a new replacement but I am working through the old testing strips before I move to the new device, then just as I had given up I noticed it on top of my  PINSentry and I realised that I had noticed that there was something on top of the PINSentry but it didn't register. A similar incident yesterday was me wondering what had happened to my phone ....... which I was holding in my hand. What am I like?

It the mid sixties music had really started to take off after the initial kick from rock and roll and to be quite honest this blog post could go on for a very long time to properly write about . I remember seeing the Who playing  "My Generation" on maybe Top of The Pops and the Byrds doing "Mr Tambourine Man" on Thank Your Lucky Stars , and going to my uncle's friends who put on "The Piper at the Gates of Dawn" by Pink Floyd. This was all in the period 1963-1969 and added to this you had The Beach Boys, Beatles , Kinks, Jimi Hendrix , Cream, Bob Dylan, Rolling Stones, Van Morrison, The Doors and a veritable cornucopia of music and acts to choose from. See what I mean.

As I listed the albums below, Amazon told me I had purchased "Blonde on Blonde" in 2006, I don't remember buying it but I do know I have it.

Below are seven albums from the time and we will go for "Good Vibrations" from "Pet Sounds" by The beach Boys for you to enjoy this sunny Friday morning.

Friday 12 April 2019

#AprilSongs #12 Friday Night


This starts off sounding like a Pink Floyd song, or even The Who's "Love Reign O#er Me", from the absolutely brilliant debut album by ex Beach Boy Dennis Wilson "Pacific Ocean Blue". An extremely brooding piece, and nowhere near the best song on the album but it  is still an excellent listen. The intro lasts for over a minute of a three minute song (think the intro to "Shine On You Crazy Diamond") so the song itself is almost over before you realise it, and that is so good because it really drags you in although you don't actually realise it.

So that is number 12 in the #AprilSOngs sequence, and my only problem with this is that it almost looks like a technical manual rather than a diary entry, making the blog look very uniform and only talking about music related today (and today is Friday).

So it is Friday and it is a nice day and time for work.

Have a good one.


Sunday 11 November 2018

Do It Again


I am currently working my way through Michael Moorcock's "History of The Runestaff" section of his "Eternal Champion" serious and thoroughly enjoying it. I was worried it might turn out to be like when you revisit old films, music and TV and you think "What was I thinking?" but while the writing style might be a bit clunky and it's full of magical allies popping up when the hero is done fore, it contains some brilliant lasting imagery and sequences, and I like the post apocalyptic implication of Britain as the bad guys though that is just a reflection of the whole British Empire thing.

When I finish this I have a few more books including the Corum sequence which is based on Irish mythology, and I will appraise you of how that goes though I have sure that they are better than The Runestaff sequence as a lot more of the images are still with me, whereas The Runsestaff sequence is almost like reading it for the first time.

When I've finished this set of books I am going to revisit a lot of Clive Barker, "Imajica" is my favourite book ever still, and "Weaveworld" is the book that first introduced  me to him with it's story of a magic carpet in Liverpool. From then I read the "Books of Blood" which contained some excellent stories, but I will see how far I go down that path.

So basically this is just about doing it again, something you have already done or a place you have been, and the reason why you do it is because of the enjoyment and happiness it brings you, so I will leave you with the appropriately titled "Do It Again" by The Beach Boys. Enjoy your Sunday.

Thursday 10 August 2017

Summer Is Back


Several times this week people have said the equivalent of "so that was the summer", when in fact I lost count of the summery sunny mornings we've had this year. The sun is streaming through the window now. We are all subject to the weather and we don't want a drought situation so we need rain, and usually we get it at night which is fairly sensible. I think that the weather has only stopped me walking once, and that was in Pockley and I still got 2.5K steps in which is about half a kilometer, and it didn't affect my Million Step Challenge , it was just another sub 11K day.

It looks like I am sort of on track for the #August50 , but I still have to do two posts a day for most of August, but it is doable, but I am going to walk in today so expect to keep my steps up.

I really to appreciate the colours of nature on a day like this, often unfeasibly enhanced by the camera on my Sony Xperia XA, not always in a good way sometimes looking back it's like I'd been in the middle of Ben Wheatley's "A Field In England". If you know the film you will know why I said that, if you don't know the film film , watch it and find out. Incidentally it was released on all formats simultaneously, the TV broadbast being on Film4.

So I'm going with "Summer Means Fun" which I thought was by The Beach Boys, then remembered it was by The Fantastic Baggys, but someone said it the original was by Jan & Dean, but I found this excellent version by Bruce and Terry which I had never heard before, because, as far as I'm concerned, summer is still alive and kicking. Well that wasn't a grammatically correct sentence was it , but what the hell. Have a brilliant day and enjoy the sunshine!

Tuesday 29 March 2016

Easter and Seventies Rock



Well there goes the Easter break and it was rather good. Mine started early on Thursday with my youngest daughter's amazing wedding which was just a totally brilliant day , lots of smiling faces , happiness and me renewing long lost friendships.

Maiden Beer Mats
Over the weekend I picked up a copy of Classic Rock magazine because it had some Iron Maiden Beermats and a "Top 100 Rock Albums of The 70s". 

There is a hell of a lot I don't rate such as Aerosmith , I still don't get them , a sort of watered down ersatz Rolling Stones , "Walk This Way" was good and "Living On The Edge" but that's about it , sort of a bit better than Grand Funk Railroad who , thank God ,  we don't hear much.







Powerage by AC/DC was their number one seventies rock album , which I can't disagree with . AC/DC amaze me because every album is virtually the same , every song is virtually the same (have they ever done a ballad? ) but they manage to sound brilliant. I see parallels with Status Quo , who then tried to change their sound (Beach Boys collaboration what a car crash that was) , then recently they went back to basics and started to sound good again.

Anyway this is a short post and an excuse to include "Seventies Rock Must Die " by Lard

Tuesday 24 November 2015

Look Out For Your Friends, Give Them A Hug - #59 - 2015 - The Men That Will Not Be Named For Nothing - Not Your Typical Victorian


It's dark , it's cold and this is the sort of time when bad things can seem much much worse. Tonight I will be joining a march protesting against the austerity cuts by this idiot spiteful government who it this time of austerity have suddenly found billions to bomb the hell out of the people they supplied with weapons in the first place, the rally details are here.

Actually I have no problem with self imposed austerity , say of you want to save for a holiday or something major but you do not impose it on others to try and mask your own failings or just to fund your own extravagances ... like wars.

The thing is there may be friends who are having a hard time , try phoning them , take them out for a meal or a coffee,  buy them a small present , let them know you care. There will be someone out there who probably needs you , don't leave it to someone else, you do it , and if someone suddenly gets ten phone calls well that is all well and good.

Gloves
Well the Odyssey his the final shore , year 59 and this year 2015. This year I can think of loads of records that have been released but I must say it has been more and more difficult to find stuff in the standard top 100 chart. These records are not my favourites although I do like them all. This morning I though of at least ten that I could choose today . In the run up to Christmas I may continue with records I missed because I am surprised there are no Beach Boys , Rolling Stones , Hawkwind , Kinks  and many many more. Anyway the number one that I've chosen is "Not Your Typical Victorian" by The Men That Will Not Be Blamed For Nothing , maybe simply because I saw them last Friday (review here) and I love this song.




Have a fantastic Tuesday and look out for your friends.

Sunday 10 May 2015

MY Little GPO - An Example of Great Customer Service


My Little GPO
No it's not about the Post Office , it's about my vinyl record player , a GPO Attache Case model. It's a small player in an attache case type housing and I bought it a few months ago from JG Windows in Newcastle. The player is great and actually easily accommodates a full 12" vinyl record. It is perfect for what it does.




A Tiny GPO Manual
I hooked it up to my Bush Soundbar and the sound is excellent. But my only bugbear was the enclosed manual, it had been reduced so much that you cant even photograph it and enlarge it to see what all the buttons mean. Try it with the picture to to the right.. This meant that when I tried to record to MP3 it was very much guesswork. And of course I only have to convert stuff once in a blue moon so I forget which button (they are silver and small) is the record button.

So I went to the GPORetro website (who do all sorts of brilliant looking retro gear) and sent an email asking if they had the manual is PDF Format. This was a bout six o' clock on Saturday night. Within half an hour I had the document in my inbox , amazing service , so often you email suppliers and they'll take a week to get back/ I don't expect people to be on call for me 24/7 for things like this but it shows their commitment to excellent customer service.

So now I have a readable manual and would recommend that you visit the site . My niece bought the same turntable for her mum so obviously the appreciation of good things runs in our family. It's first thing Sunday Morning so time to get the papers, and get ready for Preston North End's second playoff game against Chesterfield.

The music is the nearest I could get to Little GPO , Ronnie and the Daytona's Little GTO (also a Beach Boys standard)




Monday 9 February 2015

Metallica Was Right? - A Personal History of Music Media From The 1950s To Today



My friend Royston posted a link to this blog post from KFMX  (Lubbock's Rock Station) about the legacy of illegal downloading. It sums it up in a nutshell. Although I'm in two minds about the grammar , sould it be Metallica Was Right or Metallica Were Right. Anyway this post isn't about grammatical correctness it's about the whole music stealing thing , and where we are at today and why we are here today musically/ It's probably best to do it roughly in temporal order so I'll do it by decades:

1950s:


A Complete Music Centre
Vinyl became established, first in 78 format with seven inch 45's becoming the single record content delivery device of preference. 12" 33rpm Albums named because sheet music was collected in albums was the modus operandii for Classical Music because of the length of the pieces , although spoken word albums came out that played at 16 rpm . If you look at a full featured vinyl record player that's what the 16 option is for. If you do want an classic record player take a look at RPM in Newcastle.

The thing is unless you had your own recording facilities in the 1950's the only way of stealing music was to actually shoplift or resort to burglary. Music theft was limited to plagiarism and blantant exploitation like Alan Freed's co composer credit on Chuck Berry's Motorvatin' because there had to be a white presence.


1960s:


Reel To Reel
Music took of in this decade, and you had a proliferation of transistor radios and portable vinyl disc players, and affordable reel to reel tape recorders were available. These allowed you to record either from the record player, radio or television. However this was not widespread so artists and record companies just saw it as another marketing opportunity, however the BBC threatened prosecution of anyone who recorded TV programs , although they then later asked for recorded copies when trying to replace lost shows . Albums became more popular especially with bands like the Beatles and Beach Boys shifting industrial quantities and incidentally albums were commercially available on tape reels. Really record companies were seeding the ground without looking to the future.

1970s:

 
Select a Tape
This is when supposedly the shit hit the fan for record companies. Music was becoming more portable. The introduction of the 8-Track tape and more importantly the compact cassette tape. These were introduced by record companies again to sell product, but when cheap portable recorders were put on the market you would have thought that someone would have realised that customers would not just record their own voice or birdsong.







Lots of companies produced tapes and recorders and customers started recording music from TV and radio and records and sharing it with their friends. This was countered by the "Home Taping Is Killing Music" campaign. What actually was happening was that record companies saw a threat and adopted a terrible attitude that their market was comprised of thieves. Home taping went through the roof with the introduction of the Sony Walkman , because this meant that you could take music that you had paid for with you by copying to a C90 tape. Record companies didn't like this either because they saw it as a potential loss of revenue.
John Martyn 1+1

Companies started marketing pre recorded cassette tapes which sold well , but in a completely odd ploy Island started the 1+1 series with the album recorded on one side and the second side blank for you to record whatever you want on.  The only image I could find was for the John Martyn album Grace and Danger, although these was a normal delivery method for Island completely encouraging people to tape music. I don't know if there is a caveat or disclaimer on the tape somewhere.


Killing Joke
The portability of recording apparatus meant that bootlegs now became more prevalent, so as well as official releases , you could , if, ironically, you were prepared to pay way over the odds for usually substandard recordings.

The record industry tried introducing a high frequency signal on the vinyl record to combat taping, and finally introduced a 5% PRS levy on all tapes.


Home taping didn't kill music, if anything it helped spread the word. Although you could only record in real time, so you knew what you were doing. Though for the first time you could put together tapes for parties , driving , bus journeys, running but you still knew that you should really buy the records. However often you would get a tape from a friend, listen to it and then go out buy the album. The record companies didn't acknowledge this.

1980s:


This was the decade that changed everything. The record industry introduced the new cure all, the perfect indestructible medium of CD. This was a cold planning campaign by the music industry, they introduced very cheap CD players, CD players were part of the all in one music centres replacing the cumbersome vinyl turntable. People bought music centres not realising that this made their vinyl records obsolete. So they needed to buy CDs to replace the vinyl , except CDs were expensive £12
Bright Silver Discs
compared with around a fiver for the vinyl equivalent. Mid price albums were a bargain at a tenner. Now you weren't offered a trade in for your vinyl so you were paying for the medium. Did this mean that the music had no actual value?

But anyway this was a McDonaldisation moment for music, suddenly you had remote controls , you could program the way a CD was played , you could skip and repeat tracks, it was convenience for the ears. And you could program a CD and record it to cassette to make your mixtape.

The new medium had no clicks or background vinyl noise, and the first song I played on my new CD player was The Who's "Won't Get Fooled Again", played loud. A mistake I never made again. Previously the song was introduced as the needle hit the groove, this time the opening power chord just hit with no warning at all. That was my first impression of CD.

But again the music industry just saw a huge cash cow, but they were selling discs containing music converted to digital signals and guess what happened then......

1990s:


CD replaced floppy discs as a medium for computers. They could also be written to. Home computers were taking off, the internet was connecting people and at this time the music industry decided it was time for another change. CDs would deteriorate and were not as indestructible as we thought. They needed replacing. Incidentally I've had CDs for thiry years that are still fine.

The music industry told us we now had to but DAT . It's tape! Tapes break , get tangled , and you cant easily change the order, and a blank tape cost as much as a CD. DAT did have it's place but just became a specialist niche and never threatened CD's dominance. However......

The CD data was copied into a digital file stored on computer , this was MP3. It was not created by the industry so there was no regulation. People could copy albums to there computer and duplicate them to CD, but more importantly could use the internet to share music using peer to peer networks such as Napster.

People were ripping , sharing and downloading music and not paying for it. The music industry had given everything to the public on a plate. Like with cassette they tried legal downloads but included DRM which limited what devices you could play YOUR music one. It didn't work. Elton John and Metallica were the biggest voices behind the movement that eventually shut down the peer to peer network Napster citing the amounts of money they had lost. The thing is most of the people who downloaded stuff were actually doing it because they could, they would never have bought the music if they couldn't download it so the figures were irrelevant , and these artists didn't give a fig about their fans when the issued old product on CD , then brought out a new version with an extra track, ten brought out a remastered version , expecting fans to cough up money each time.

However in the days of pay per minute internet connection a friend of mine spent £30 to download a Basement Jaxx album he could have bought over the counter for a tenner.

The nineties were the decade where certain people began to expect music to be free, not realising how this affects the people who produce it. This was a direct result of the music industries pushing of CD uptake in the 80s without any thoughts of impact analysis.

The New Millennium:


The turn or the century digital music became the norm. The internet has become very fast , and they perception that music is free has driven down the price of CDs. These days a new Cd will set you back around a tenner, a new vinyl album will cost you twice that. If the cost of albums had kept pace since say, 1975,  you would be paying £80 for a new album today. I've used Job Seekers Allowance as a guide for this , in 1975 I bought the new Pink Floyd album "Wish You Were Here", it cost me £3.25 , now JSA stands around £70.

People can listen to music of their choice free on Youtube , Spotify and any number of streaming services. The problem with these for the artist, is that royalties are paid on a pay per play basis. So if a track is streamed on Spotify an artist will get paid a very small fraction of a penny, if their record is played on the radio they'll be paid £50 (that is completely made up but it is a reasonable amount). I don't know what the answer is to this.

But this leaves us in a world where to make money bands have to charge a lot for gigs and merchandise and kids think that stuff (music and video) should be free.

However music is still vibrant and alive, record shops are still going strong especially with National Record Store Day . New music is still being produced and I still buy a CD a week of usually new music the latest being the Wooden Shjips album  "Back To Land".

The music industry is continually bleating about lost profits and stealing , but in digitizing everything they have created something that can be stolen over and over again, although as recent trends have shown , sensible pricing and convenience will actually result in sales and income, otherwise iTunes would have died a death long ago, and they still cause havoc and inconvenience with their licensing and terms and conditions.

So that's it , possibly my longest ever blog post. Hope it didn't send you to sleep.


Sunday 19 August 2012

Electrospectacle .. a sort of History of Electronic Music


EMI are currently doing a promotion called "Electrospective" and Mojo Magazine this moth have the fifty (in their opinion) , most important electronic albums. This post is in no way definitive and may contain errors and disagreement , but it's really some observation on a lot of the way I saw much of it happening.

The starting point seems to be the soundtrack for the film "Forbidden Planet" by Louis and Bebe Barron around 1956 . Now there is no doubting the importance of this album , totally electronic resulting in eerie incredible sound textures for the film based on William Shakespeare's Tempest.

However none of this would have happened without Les Paul's electrification of the guitar and invention of the multi track tape recorder.

Joe Meek was my first pop introduction to "non normal" sounds , on records such as "Telstar" by The Tornadoes with int's organ treatment .

Around the same time Dr Who hit the screens and Delia Derbyshire and the BBC Radiophonic Workshop brought us Ron Grainer's incredible Dr Who theme , still amazing fifty years on. Delia was part of White Noise who provided us with the wonderful Electric Storm album.


With psychedelia we heard phasing being introduced on records such as Nirvana's Rainbow Chaser and by the time I was taking an interest in music bands such as Hawkwind and Tangerine Dream were the leading  electronic lights. My first introduction to Kraftwerk was the flute driven "Ruczuk" , which admittedly had a regimented rhythm and phasing , though with teh release of "Autobahn" they were truly an electronic band.

The Theramin came to the fore notably on Led Zeppelin's "Whole Lotta Love" and the Beach Boys "Good Vibrations" , apparently the result of a failed endeavour to create a burglar alarm in Russia!

Mojo reckoned Queen were denigrating electronic options with the "No Synthesisers"  notices on their first couple of albums. Queen were just making out out clever they were. No Synthesisers but Brian May had plenty of electronic hardware backing him up.

Walter (Now Wendy) Carlos had been releasing albums such as Switched On Bach done entirely on the Moog Synthesiser and came to prominence with his soundtrack to Stanley Kubrick's "A Clockwork Orange".

The us rockers were hit for six when Giorgio Moroder masterminded Donna Summer's "I Feel Love" . This was disco !! But it was good disco!!

Any I have missed lots out but I hope this makes you want to find out more. I've not mentioned Bowie , Jean Michel Jarre , Depeche Mode , Brian Eno , The Human League or Depeche Mode and I could fill another page or so with artists.


EMI's Electrospective here.