Classical Ruination

I said this year I wouldn't post as much, last year it was over a post a day, but this is post 188 so that is still and average of a post every two days, although some gaps between postings have been bigger than that , and obviously this is a post straight after yesterdays post.

I've listened to a chepo compilation called "Rock Instrumental Classics: Volume 3 - The Seventies" which barring Edgar Winter's "Frankenstein" , Electric Light Orchestra's "Daybreaker" and "Apricot Brandy" by Rhinoceros , is made up of funk and pop. There is "Rock and Roll Part 2" by Gary Glitter (and yes Paul Gadd , is an evil , vile person quite rightly behind bars, but should that stop us from appreciating the work of the rest of the band and his cowriter Mike Leander?) which it compares to "Tusk" by Fleetwood Mac , in that there's no real tune just a relentless sound with primeval calls and is still, in my opinion and impressive pop record , but I hope Gadd's royalties have been sequestered to help the sort of people the vile man abused.

Anyway in the songs on th ealbum are "Joy" by Apollo 100 a take on "Jesu Joy of Man's Desire", one of my favourite Bach pieces , "Also Sprach Zarathustra(2001)" an jazz take on the Strauss piece by Deodato , and "A Fifth of Beethoven" by Walter Murphy , all of which are more than enjoyable , especially the Deodato one. That's three classical lifts on one single disc compilation.

Manfred Mann's Earthband got permission from Gustav Holst's estate to use the composer's theme from "Jupiter" in "The Planets" suite in their single "Joybringer" . Keith Emerson with The Nice and Emerson Lake and Palmer plundered the classics  impressively over the years , with Mussorsky and Copland featuring highly in the band's repetoire.

Lots of pop songs left classical themes and melodies , Pachelbel's "Canon" reappearing so many times in the charts in various guises.

I've hardly scratched the surface on this, but will leave it here for now.

Hits and Misses

I decided to listen to the three albums I have by Dave Ackles, I remembered being impressed by "American Gothic" and the song "Road To Cairo" from his eponymous first album is listed as a classic, then there's the final album "Subway To The Country".

My verdict is that "Road To Cairo" is ok and while the first and third albums don't make me want to turn the things off, some of it descends into boring bar room schmaltz, I don't think I will be revisiting them any time soon.

I then thought I'd try the Grateful Dead's  "Go To Heaven" . The opener "Alabama Getawy" is ok country rock but the album just gets blander and blander with "Saint of Circumstance" and "Easy To Love You" the only ones shouwing any signs of life but almost wiped by the awfully bland eighties production. Even the Dead have their off days, another I won't be revisiting.

Which brings me back to "American Gothic" , which , while a little earnest , is a worthwhile addition to any record collection. There are elements of Tom Waits and Billy Joel in here with orchestration recalling the music of that archetypal American Aaron Copland. It takes us through an Americal landscape that predates modern culture, with the unnerving title track which is followed by the beautiful "Loves Enough" before veering off onto another off kilter narrative "Ballad of The Ship of State" and the album continues in this vein until the run out of "Montana Song".

If you have Amazon Prime then give it a listen.

It's time for bed so I'll leave you with "Loves Enough".