#LikeNoOther #11 - Nadine Shah

I think this is #LikeNoOther #11 though I  may have missed one out as it's ages since I posted in this series. Nadine Shah has released a new album and the new album "Kitchen Sink"  (though just a thought Kitschen Sink would be a great album or book title)  doesn't let up.

Her music is not exactly danceable , but sounds like it doesn't conform to any norm. It has a highly percussive framework  which she and her band use to build the songs, and you finish every one thinking what the hell was that, I need to listen again.

Nadine , as far as I am concerned, falls in the same sprawling universe as all the other artists who have appeared in this series, but my immediate touchpoints are:

• PJ Harvey
• Siouxsie Sue and The Banshees
• Captain Beefheart
• The Incredible String Band
• David Bowie
• Ethiopiques
• Tom Waits

There is a hell of a lot of original music around and it always amazes be that a combination of 12 notes can continually be moulded to give us something new and original. Nadine Shah continues to do that on every sone her and her band produces.

Watch and listen to the new single and your musical listening horizons will expand.

I've seen Nadine Shah twice and was very impressed both times. Her music is is as I've described and she has a very engaging stage personality as well so well worth going to see her, here are a couple of my reviews with some more video.

#LikeNoOther #10 Bitches Brew - Miles Davis

The least couple of days I've been walking in I thought I would listen to "The Essential Miles Davis" , I didn't last long ( too jazz club / lounge jazz)  and then I switched to "Bitches Brew", which I was sure I had enjoyed when I listend in the past.

I was not wrong.

While a lot of this sounds like free jazz improvisations it's like wandering in a swirling waterpool of sound, the first piece "Pharoah's Dance" (written by Joe Zawinul of Weather Report) clocking in at over twenty minutes although because you are so lost in the sound it is over before you know it. You cannot dance to this, and most people would probably switch off after a minute or two, but I find it absorbing and while hardly being a jazz afficianodo (prefer rockier type stuff as opposed to purist stuff and I tend to hate "smooth", "lounge2 or jazz club type stuff.

The title track is even better though mainly anchored on a seven note bass motiff  which for the most part uses only three actual notes, though the bassist does vary this after about twenty minutes while still maintaining the rhythm. "Bitches Brew" clocks in at almost half an hour but again for me seems to fly by.

"Spanish Key" and "john McLaughlin" (I assume named after the Yorkshire Jazz guitarist who plays on the album)  "MIles Runs The Voodoo Down" and "Sanctuary" (a Wayne Shorter or Weather Report piece) comprise the second vinyl disc or the original release and while lacking the full intensity of the first two sides is just more excellent quality.

Even though you may not like jazz or challenging music this is something you should try at least once. It is exceptional.

The wiki entry is here with details of personel for each piece, and the bands are big, so it's no wonder that the sound is so rich and listenable.

Solstice Song

The sky is blue, there's not a cloud up there, and this morning when I went into the shower I was hit by the heat of the sun before I switched the shower on. IT's also the Summer Solstice so it's the longest day of the year and looking outside it looks like we are going to have a gorgeous and long day with many hours of daylight.

There are lots of things happening and am tempted to a couple of events tonight which are in the town centre and really with the fact it's th elongest day I should take advantage of the extra daylight that we have, although I also have Los Coyotemen at The Globe tomorrow night so this does look like being quite a busy week, but all the more enjoyable for it.

Weather is still very warm, but that is a plus, cold weather is fine as long as you can find somewhere and some method to actually warm yourself up.

I am combing my memories to think of an appropriate musical piece to go with this post, maybe something druidic and arcane, maybe some Julian Cope or Incredible String Band. "Painted Chariot" is leaping at me though I have already used it for my  #LikeNoOther series here. I'd also forgotten that Julian Cope appeared in my second ever post here which was a short overview of my exposure to Krautrock because Julian had produced a book with the same title on the subject.

In the end I've gone for "Parlipap" by Spirits of The Sacred Grove, so enjoy The SUmmer Solstice.

#TenAlbumsInTenDays #8 & #9 - Taking Tiger Mountain By Strategy - Brian Eno

Dispepsi by Negativland was my #8 choice for #TenAlbumsInTenDays but I have already commented on it for my #LikeNoOther series here , and it really is an album worth investing some of your time in.

#9 is Brian Eno's "Taking Tiger Mountain By Strategy" his second album after falling out with Bryan Ferry and leaving Roxy Music after their excellent "For Your Pleasure". I've just realised that Ferry and Eno despite sharing a common first name spelt it differently.

The album breezes in with the beautiful "Burning Airlines Give You So Much More" and the songs on the first side of the album never drop in quality culminating in the closed groove ending of "THe Great Pretender" if you listen on vinyl. Side two opens with the proto punk of "Third Uncle" before lurching into the Portsmouth Sinfonia backed silliness of "Put A Straw Under Baby".

The album closes with the totally engrossing and beatiful title track almost making you feel as though you are climbing Tiger Mountain' I will leave you with that song to tempt you with.

This album was concieved using Oblique Strategies , a series of cue cards developed by Brian and Peter Schmidt, who also did the cover featuring four prints for a seris of 1500 lithographs. This is another of my favourite albums that I constantly revisit.

Sleep well my friends.

Scary and Monstrous

I've been listening to David Bowie's "Scary Momsters (and Super Creeps)" over the last few days and remember when I first got it when it came out in 1980 and it followed the Berlin trilogy with vicious guitars, and songs that were like nothing you had heard before (ie normal Bowie territory). This was the last album before he hit commercial paydirt with "Let's Dance" which I've never taken to as an album though I like the title track.

Back to Scary Monsters though, and I'm surprised by the amount of sort of recycling even within the album itself . The opener "It's No Game (Pt 1)" contains an approximation of the riff for the title track and "Teenage Wildlife" bears more than a resemblance to "Heroes" but with extra Bob Fripp incendiuary guitar sprayed throughout the song.

I featured "Ashes To Ashes" on my #LikeNoOther series as I cannot think of any song before it that it even references, the post is here.

I've included a live take of "Teenage Wildlife" a wonderful song but you can hear the resemblance to "Heroes". If you don't have a copy of the album get one now.

Have a brilliant Tuesday everybody.

#ItsNotThem

Today would have been David Bowie's sevent first birthday, and he left us a huge musical legacy, so really to us he is immortal and will be with us forever. I was thinking of artists who released songs that really should have been released by someone else hence the #ItsNotThem tag. I've already included David Bowie at least one in the #LikeNoOther sequence , click on the tag below to find that entry.

The song I am going to include is "Rebel, Rebel" from "Diamond Dogs". That song should have been a Rolling Stones single , a classic riff with a Stones swagger and to my knowledge they have never covered it. It is still one of my favourite guitar riffs the hear and play.

Outside today cars are frozen and I need to go to the General Hospital for my six monthly Diabetes check up where I possible will be told off again by the consultant for doing things like walking, losing weight and reducing my insulin intake, Actually most of these are the same as my last visit apart from the weight that will be slightly down and hopefully this time I will have a more positive consultant.

So wrap up, be careful on the footpaths if you are walking, and have a good day.

#LikeNoOther #9 Frontier Psychiatrist - The Avalanches

I can't remember when I first heard this, but I do remeber wondering what the hell was going on. "Frontier Psychiatrist" from the album "Since I Left You" by The Avalanches takes the listener into a vaguely comedic "Twin Peaks" univers mixing dialogue with samples to produc an amazing piece. I have recognised snippets from it in source songs and it is a real (and pleasant) listening experience.

When the album came out I think there were court cases about the sampling but eventually they gave up and just let The Avalanches have it. All their videos and songs are worth visiting and this is probably the most famous and recognisable.

In 2016 they followed up with "Wildflower" , more similar brilliant cut and paste dance pieces with excellent videos and the lead single was "Frankie Sinatra" which I will also include here, because The Avalanches are truly #LikeNoOther and absolute great fun, and the title of their second album is the same as the name of Wildflower my favourite Art/ Eating space in Tyneside.

Enjoy all of this.

#LikeNoOther #8 Boops(Here To Go) - Sly and Robbie

While this does contain a lot of rhythm and melody it is a veritable soup of sound. Sly and Robbie are part of the Jamaican scene so you are expecting reggae or ska , with  dub treatment for adventure. But it's not of these. Maybe it's gumbo voodoo music, reming me in mood of Dr John's "Walk on Gilded Splinters" from "Gris-Gris".

 "Boops (Here To Go)" was a hit.

When I first heard it I liked it , but it is't anything you can pigeonhole. You can dance to it , it has a defined rhythm and it won't scare people away.

Sly and Robbie often did not stick to the reggae styling and because of that produced som memorable songs, under their own name , despite being producers for countless others.

Listening to this has reminded me of another song which will do for #9.

Sleep well.........

#LikeNoOther #7 Brando - Scott Walker and Sunn O)))

Scott Walker may only mean being one of The Walker Brothers to you with songs such as "The Sun Ain't Gonna Shine Anymore" and "No Regrets", but when he left he ploughed and interesting solo furrow, covering Jacques Brel (as did Bowie) and displaying a wry sense of humour on the excellent over the top "Jacqui".

As he's aged, his mind and artistry has gone further and further out from the mainstream, with album titles such as "Bish Bosch" and "Soused", which sound inconsequential, but if you are willing to give them the time, they will pay you back in spades. If you put them on at a party, they will probably empty your house fairly rapidly, but anyone who stays may someone worth investing your time in.

"Soused" was made with noise/drone giants Sunn O))) , and when I first heard "Brando" my jaw dropped. How could you describe this, a voice in the realms of musicals and opera backed by slabs of stabbing sound that keeps up for close on nine minutes. No one I've spoken to can describe it, but they are definitely affected by it.

It deserves to be played loud, it is monstrous and glorious, and three years on it has lost none of it's power.

I am glad we have Youtube so I can share these things with you.

Take a listen when you have half an hour to spare. It will make you think

Doing Things By Halves

Today I hit half a million steps three days before the half way point in this challenge. I didn't doubt I would be able to do this but some days getting started is a slight chore. I think it's improving my diabetes, possibly making me a bit fitter. I've reduced my insulin by 20% and blood sugar readings have improved. Weight seems to still be hovering around 105 Kg (roughly 16.5 stone) which is a damned site better that the 123 Kg( 19.3 stone) I was at my heaviest. I still need to trim 30 Kg so am still a total lardy person, but it gives me something to aim for.

I still love chocolate and fish and chips, but don't indulge in them every day, maybe I should fast more, as that is another way to reduce the need for insulin, but I am enjoying the walking and I have gone through winter with it, so I am sure that, even after the Million Step Challenge is over, I will still maintain at least 10K steps a day, which is around four miles.

I know I've not written for the last few days, even though I've meant to, and I also have another #LikeNoOther song lined up, but today, there can only be one song, and it's a classic from the band everybody hates to love, Carter USM one of my theme songs "Sheriff Fatman". Sleep well my friends

#LikeNoOther #6 Its Only A Painted Chariot - The Incredible String Band

One of the good things about doing this Million Step Challenge is that I am listening to part of my record collection on random play and some corkers have come up over the last few days.

 I'm fast thinking that David Bowie's "Man Who Sold The World" is one of his best with songs like "All The Madmen" , "After All" and Width of A Circle" , very dark and sister, and in a similar vein this morning The Incredible String Band's "Painted Chariot" came on.

I must have first heard this when it came out, I'm not sure if it was a single or I heard it on John Peel, but t has a very Celtic Pagan feel to it , like something that slipped away from the soundtrack of The Wicker Man. It starts out as rickety solid folk before descending to an almost hymnal finale. I really haven't heard anything like it before or since, and this morning I thought I need to put this on the blog.

My Million Step Challenge is over 92 days so I need to hit just under 11K per day, Today is day 18 and I have hit 210K steps so far so I am still on target to hit it. I was going to catch a bus this morning but kept on walking listening to the Incredible String Band and visiting a herd of cows on Nunsmoor (see here for video evidence).

Anyway I intend to be in bed a little earlier than last night, but enjoy  "Painted Chariot" and sleep well.

#LikeNoOther #5 Dispepsi - Negativland

This is a slight deviation from the formula but also the first time that an album taught me a lot about market manipulation and controlling the minds of the masses who buy products. The album was, I think legally challenged by Pepsi and possibly Coca Cola and there is a Wikipedia entry here which mentions the legal shenanigans.

It contains lots of samples including many famous people , digs at artists selling themselves to corporations and includes some clever and witty songs , woven together into a coherent blast at market manipulation.

Drink It Up

It's one the albums that I still listen to end to end, and suggest that you do the same. It came back into mind after watching a TED talk that said that 90% of the media production was now owned by six companies who an make us think about whatever they want.

That is very frightening and Dispepsi predicted what they are doing now over 25 years ago. The album is very difficult to lay your hands on though Amazon have a few very expensive copies here.

Listen to the Youtube link here, if you want a copy, contact me, I will direct you. Below is the TED talk by Christopher Bell that reminded me of this amazing , educational and subversive record, with its demonstration  that Disney are anti powerful female heroes. Listen then watch my friends.

#LikeNoOther #4 Single Ladies - Beyoncé

This may seem an odd suggestion for such a big pop song by a big pop star, but this, in my opinion, is a great original construct. There is a tune and a dance drum beat and that makes it very commercial and listenable. Beyoncé's Single Ladies is absolutely monstrous in the best possible way, almost scarily so enticing with it's pop sensibilities while something threatening lurks in the background.

Then the master stroke is the orchestral drone that creeps in and underpins the record, similar to the dragging bass on Siouxsie And The Banshees Peek-A-Boo (see here) , this morphs into a grating orchestral theme worthy of any monster movie such as Godzilla or King Kong.

This song impressed me the first time I heard it nearly seven years back and it has lost none of it's potency, which is very impressive coming from someone who may be seen by some as mainstream pop.

If you haven't heard it listen to it , listen to it loud and prepare to be steamrollered.

#LikeNoOther #3 Peek-A-Boo - Siouxsie And The Banshees

Siouxsie And The Banshees were never your average sounding Rock, Goth or Punk band and their canon is littered with some amazing out there sounds. The only standard instrument used in Peek-A-Boo barring Siouxsie's voice is the dragging bass and that is not played like any that I have heard before or since, then the almost military drum beat and accordion / melodian driven complex riff sonding like something gestated from Bertolt Brecht's Threepenny Opera (Die Dreigroschenoper).

Another you can't dance to, well not any normal dance, but there are no guitars or pop sensibilities here, in an almost nightmare sequence that implies horrors lurking at the edge of our sensibilities although you feel safe because you know Siouxsie of old. It is similar to Sparks' This Town in the "can't dance" stakes although this does explore a much stranger furrow.

The video is wonderful and this still sounds as fresh today as when it was first unleashed upon an unsuspecting world.

Enjoy the video and if it's not in your collection , why not?

#LikeNoOther #2 This Town Ain't Big Enough For Both Of Us - Sparks

Although the first two songs may seem to have a vague glam rock connection , there's going to be a lot of different stuff on this.  I first saw Sparks performing on The Old Grey Whistle Test  performing "No More Mister Nice Guy" from A Woofer in Tweeter's Clothing which was OK , the most striking thing was Ron Mael's Chaplinesque looks and I liked the album title. More androgynous American rock but nothing special.

Then they signed to Island and gave us Kimono My House , more plays on words and phrases , but the lead single "This Town Ain't Big Enough For Both Of Us" was totally amazing.

From the opening piano motif you are hit with Russel Mael's falsetto , the a stop with a heavy stop start four note single heavy guitar riff before launching in a streamrollering you in almost Wagnerian style a song that still stands today as  one of the most amazing three minutes you will ever hear.

Everytime I listen to it, I don't want it to stop, there's always a change round the corner, and while it may be generally in 4/4 time it's hardly easy to dance to like your normal pop song should be, but it never loses your attention.

Plagiarists

You can see it's influence in things like Queen's Bohemian Rhapsody and since then Sparks have continued to expand their musical envelops , collaborating with Giorgio Moroder on No 1 In Heaven and are still producing amazing music. Li'l Beethoven is an wonderful album.

This Town was when I though Sparks were special and was revisited on their collaborations album Plagiarism as a duet with Faith No More,  Mike Patton providing an amazing foil for Russel Mael. See the video at the end.




Recently they collaborated with Franz Ferdinand as FFS , a major success but you feel the Mael's were in the driving seat, but Franz Ferdinand's angular rock proved a brilliant vehicle for more Mael exploration and play.

So that's my thoughts on this great song.

Like No Other #LikeNoOther #1 Ashes To Ashes - David Bowie

A while ago I said I was going to post about songs that basically, to me , were like nothing I'd heard before. I was trying to think of a tag or description and the phrase #LikeNoOther seems appropriate. You may disagree with me, or you may agree. A lot of these songs have become part of the mainstream, often because they were that good, despite challenging the expected musical borders.

The first may seem incredibly obvious, but at the time I thought what the hell , well actually it was a bit stronger than that. David Bowie showing his Lindsay Kemp influence dressed as a clown, cutting between his padded cell and a desolate beach with self referential nods to previous songs, the video is as important as the song, the two being inseparable in my mind.

Scary Monsters

The song structure does have verses and choruses but still sound alien while retaining pop sensibilities making it accessible to the music buying public. Again this was Bowie showing what could be done cutting and pasting the music back together and producing a timeless masterpiece, giving us Ashes To Ashes.

While this is not my favourite Bowie song, for me it is probably his most important song in his musical canon, I still love it and still love the video, and love the album from which it came.




Can you think of any song prior to Ashes To Ashes that has a similar form or feel?


I don't know whether I have made you think or bored you with this, but there will be more to follow after this, but a Bowie song is always a great starting point.

The first of many songs #LikeNoOther